This far, I'm not that impressed. What do you think? And im not speaking about the usage of analogue synths (Enigma State, Narel etc)
Im feeling that its not really about the music, but more so with that sound/aesthetic more than anything. Its more of a "thing". They (the creators) only see the fashion/aesthetic/sound design/lifestyle around it. Therefor in my mind it rather becomes a sort of gimmick, a phase, an obseesion? Am I wrong in thinking this? Im thinking its a group of people, mostly 17-25 olds (or around that age, up to 30) ie generation Z obsession with vintage stuff and everything 90s related. Or is it love for the actual musical content, the way the tunes are composed and created? Rather than just sound fascination/obsession/aesthetics?
Is it a little bit like 70s hairguys trying to bring back "classic" zeppelin blues rock, but it never reaches the same level of authenticity and merit? And most of all - the musical quality.
Thoughts? I know some guys here thats been coming on to the forum last 1-2 years are heavy digger of this music. Let me know your thoughts.
Im feeling that its not really about the music, but more so with that sound/aesthetic more than anything. Its more of a "thing". They (the creators) only see the fashion/aesthetic/sound design/lifestyle around it. Therefor in my mind it rather becomes a sort of gimmick, a phase, an obseesion? Am I wrong in thinking this? Im thinking its a group of people, mostly 17-25 olds (or around that age, up to 30) ie generation Z obsession with vintage stuff and everything 90s related. Or is it love for the actual musical content, the way the tunes are composed and created? Rather than just sound fascination/obsession/aesthetics?
Is it a little bit like 70s hairguys trying to bring back "classic" zeppelin blues rock, but it never reaches the same level of authenticity and merit? And most of all - the musical quality.
Thoughts? I know some guys here thats been coming on to the forum last 1-2 years are heavy digger of this music. Let me know your thoughts.
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