Yeah, I mean he'll aim to make as much money as possible therefore likely spend as little time as possible writing this stuff out. Or am I being too cynicalWith $10 I would be surprised if the feedback were anything larger than a paragraph
Yeah, I mean he'll aim to make as much money as possible therefore likely spend as little time as possible writing this stuff out. Or am I being too cynicalWith $10 I would be surprised if the feedback were anything larger than a paragraph
We shouldn't be demonizing people for putting an effort to remaking classics. I think there is nothing wrong with remaking classics - it's just doesn't cater to our needs and me personally think that these tracks however bad they may seem to you, hold data inside that people can't see.This whole time we’ve been giving our feedback to all the various producers butchering Trance classics and we didn't charge a penny.
This whole time we’ve been giving our feedback to all the various producers butchering Trance classics and we didn't charge a penny.
Depends on which Ferrari it is, is it used, how old is it etc. It's nothing new taking a loan, financing it etc., doesn't have to be a straight cash purchase. Maybe it isn't his?
I mean it can't be, I don't know how much money he rakes in with gigs, the masterclass and stuff, but I seriously doubt it's 10s of thousands of Euros per gig. However much the Ferrari costs, maintenance and running costs are quite high as well.
And all of that in a pandemic that left him without his main money-making machine.
If it is indeed his, kudos to him, he's found a way to make lots of money by achieving practically nothing that will leave an impact on the trance (or music) scene long-term.
Not exactly leaving any legacy behind.
We're talking about two different things here. 30 years from now, will someone think that GO has shaped the trance scene so very, very much (especially in the past decade or so)?Of course he will - in the Nu-NRG sound alone. Hes definatly been one of the better Trance producers of the past 5 years - and who else does in depth studio videos like him,showing how he makes his tracks. At least he puts in the effort.
for only 10 euro's Hensmon jetflag et.co will write a 10 page essay as to what is wrong with you, your music, and why you will never make it in the industry.
We're talking about two different things here. 30 years from now, will someone think that GO has shaped the trance scene so very, very much (especially in the past decade or so)?
Not exactly leaving any legacy behind. Just one of those producers who orbit around the bigger ones, without any sort of impact on the scene long-term. Made some good tracks and that's it, the rest is just promotion and marketing.
Yeah why pay GO when Daysleeper can trash you for free LOLDaysleeper 'feedback' is part of the premium package, including over 50 different reasons as to why your trance track sucks absolute balls.