Not really....I think its (psychologically) actually quite understandable.
The traits you mention
@Super-Frog Saves Tokyo share a thing in common. They all go against State sanctioned, endorsed (or in some cased even enforced..) Narratives.
Trance specifically as a genre primarily developed in Frankfurt, Germany, when the Wall then fell in berlin and State enforced Socialist docrines where replaced with Freedom (of thought, speech, and exploration/expression Both scenes mixed In the (underground) abandoned warehouses of a collapsing empire, dying under the weight of its own failing ideology. Broader European rave culture(s) virtually everywhere carry an anti-authority and free-party element with them, though not perse anti socialist/ussr.. It is hence:
a Genre (or movement) born in a Zeitgeist of Change against what was and focused on anti-establishment/ freedom.
40 years later we find ourselves in a position where the overwhelming amount of institutes in Eu/Western States pretty much are all on board with, endorse, proselytize and sanction narratives of:
- Progressivism/ Globalism
- (Mass) immigration
- Climate change
- Feminism
- Lgbtq+ "alphabetism" etc.
I think the element of Freedom and suspicion of said government/big institute/company narratives is still very much present in the scene as an underlying subconcious axiom. which explains the attraction to it from "heretic dissidents" so to speak.