I disagree with all of you people. I don't mind long tracks. I don't want to imagine how all of you people listen drone or space ambient or any kind of ambient that's long and slow. You guys probably don't have the patience to sit through it all.
Just exactly what I'm thinking about. I didn't get anything when I heard his N3ON album for the first time. And this is now one of my top 10 trance albums (that has got a multi-platform global release) since 2020.And yes, it does typically get better with more listens.
Yes, so I listen to it very often, but most of the times I will directly skip from the end of the intro to roughly 06:00 to continue.For instance, his "Spaceman" bootleg from a number of years back took about ten odd minutes just to get to the vocal chorus, which was much shorter than the rest of the track in comparison,
Nonsense how many minutes does he need to cut it down? He may as well create tiktok trance.He would benefit from cutting the length down some yes.
Nonsense how many minutes does he need to cut it down? He may as well create tiktok trance.
Not every trance lover can accept a loop going on and on for several minutes in the dancefloor.Nonsense how many minutes does he need to cut it down? He may as well create tiktok trance.
I don't know maybe I am just a lot more patient compared other people.Not every trance lover can accept a loop going on and on for several minutes in the dancefloor.
You've talked about ambient before. The "forever-looping" ambient works perfectly well for listening at home or at work, but they didn't work in dancefloors. If you are more used to listening to tracks at home, then it is reasonable for a listener to feel insensitive to how many minutes has passed, but things do change when you go to clubs.
I am also a home listener, so I'm OK with lengthy tracks. But moreover, it's not a 100%-length thing. For myself, the 17-min "Balerika" (which is by far the longest Blonde track) feels less lengthy than the 15-min Spaceman Remix, since I can hear "Balerika" progresses through time, but the Spaceman Remix sounds just like looping and looping until ~07:00 when there's is finally progress.
I think this effect counts.
Thanks for your opinion. I was previously talking about the 14-min vocal version of the Spaceman Remix,This track hardly loops on an ambient soundscape for over 13 minutes now does it?
My point was also the fact long tracks have always been part of trance. That's an awesome track by DB. One of his best so far. Dark & Long by Underworld is almost 11 minutes long and that was made in 1994Thanks for your opinion. I was previously talking about the 14-min vocal version of the Spaceman Remix,
The 13-min officially-released "Spaceman Dub" definite sound less lengthy. Not only because of its shorter length, but also he has put those "transitions" (I'm not sure if I'm using the right words) much earlier, and it is definitely not dull at any sense in my opinion. It has put the breakdown nearly right at the middle of the track.
And yes, patience does matter. I also agree that there are some feelings in trance that can only be conveyed in an epic 9min+ (or even 10min+) track.
Apologies for I have to listen to "Metaphorique (Ferry Tayle's Remix)" later today, unable to immediately respond.
It doesn't do enough over its length IMO. If it was shorter (and this isn't a general criticism of DB's long tracks - just this one) and the arrangement built more tension and had up's and down's in energy it would hit a lot better i.e. those hooks would be more effective. I hear ya on 'Atlas Winds', I love that tune... but its unfair as I spent 6 years living in the middle east which made me a sucker for any arabian vox and the phrygian scale stuff that arabic music uses so much.What do you mean? It sounds like something off dune when I hear it with those pads similar to Atlas Winds albeit faster.