@Pokkryshkin, the one titled In The Cold has a nice vibe it to it.
Have you noticed that the software has improved since you first started using it? If so, how?
Unfortunately, no fundamental or key changes have occurred over the past year. They did add the "Allegro" mode, but it primarily speeds up generation and has no other significant impact. Personally, I don’t use it, as it often seems to ruin the track’s smoothness and volume consistency. While they do continuously add new features, these are mostly unrelated to improving sound quality or developing new generation algorithms.
Essentially, Udio remains largely the same as it was a year ago, albeit with a slightly expanded set of generation capabilities. For instance, they’ve introduced the functionality to use a single vocal in your tracks or various styles. However, in my opinion, these features are often implemented poorly and don’t work as expected. Style function feel like a rebranded version of the old ‘remix’ function, just now shareable with other users.
Crucially, Udio still suffers from its persistent issues: constantly fluctuating audio levels and basslines that change multiple times within a single track. While experienced users can mitigate these problems to some extent, achieving a truly perfect sounding track remains a challenge. However, if you are a dedicated musician proficient with audio software, you can likely correct most of these flaws.
So, in the end, I’ve improved more in my interaction with the Udio tool than the tool itself has improved. I’ve gained a better understanding of how things work, it’s become easier to control it, and to shape the track the way I want to hear it,
within its capabilities, of course