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Thread: Giuseppe Ottaviani - Evolver (Artist Album) [Black Hole Recordings]

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    Z Dobrej Woli's Avatar
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    Giuseppe Ottaviani - Evolver (Artist Album) [Black Hole Recordings]







    Raven (00:42:35)
    Have A Nice Trip (00:46:53)
    Panama (00:52:58)
    Ciudad de Mėxico (02:04:14)
    Another Day in LA (02:08:55)
    Time Shift (02:13:20)
    Follow The White Rabbit (02:18:39)
    Operator (02:23:46)
    Tranceland (02:29:05)
    8K (02:32:48)
    Belasco (02:37:39)
    Soundbar (02:42:44)
    Colours (02:48:34)
    Empty World (02:53:40)
    Sandcastle (02:59:14)

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    allywheels (02-07-2019)

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    Panama is my pick. My god it's been ages since I have liked his production but the mastering.
    Last edited by Contact; 02-07-2019 at 23:25 PM.

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    Mexico
    Wow... this sounds pretty good, loving the melodies.
    Really looking forward to the whole album, what a nice surprise!

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    We will bring back this beautiful music back. I know it's possible. The true human spirit.

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    UpliftxDownlift (02-09-2019)

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    chillseeker's Avatar
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    OMG !!!
    Belasco is fucking amazing.

    The whole album sounds lovely tbh.

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    Electronlyman's Avatar
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    Excited about this one!

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    A.Brindiss's Avatar
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    Mexico
    This will be a great album for sure

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    Sweden
    I like what I hear, and theres lots more thought put down into these productions compared to usual generic material,but I also dislike quite a bit of what I hear. I just cant stand when a really sweet wash of synths are infested with white noise for example, and alot of the climaxes are really same and anti climactic for some reason. Its too bad because large part of these tracks has a really sweet innoence and pure trance feeling about them.

    I just realised this had white noise aswell, but its sort of a different kind. Its really sneaky. I think most people dont care or notice it even.

    Last edited by Daysleeper; 02-10-2019 at 11:11 AM.
    #Sicknessesintheair

    Say no to STEROIDS.






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    Quote Originally Posted by Contact View Post
    Panama is my pick. My god it's been ages since I have liked his production but the mastering.
    Everything he played was live. If you actually listen to what he said to Armin, he's not recorded any of the tracks in the studio yet & mastered them properly. So when the album comes out, I'm sure the mastering will be fine. It's not on Armada after all...

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    19th July 2019 | Pre-Order: https://blackhole.complete.me/evolver

    01. Time Shift [4:00]
    02. Belasco [4:00]
    03. Another Day In L.A. [3:45]
    04. Empty World [3:59]
    05. Ciudad De México [3:52]
    06. Soundbar [3:56]
    07. Alto [3:46]
    08. Raven [3:49]
    09. Tranceland [3:49]
    10. 8K [3:47]
    11. Colours [3:49]
    12. Have A Nice Trip [3:43]
    13. Follow The White Rabbit [3:42]
    14. Pluto4 [3:56]
    15. Operator [3:47]
    16. Panama [3:49]
    17. Sand Castle [3:47]


    The producer’s producer’, as he’s often referred, are really just words until you’ve empirically witnessed how Giuseppe Ottaviani does that thing he does. The divide that separates what the audience hears and how it came to be however has been one Giuseppe Ottaviani’s been chipping away at for time. 


    From audience-inspired idea-kernel to diamond-in-the-rough demo, before flaming into a fully realised floor-combustor is a typically extensive process. It’s also one that for reasons numerous is regularly hidden from end-user view. Giuseppe however sees such matters in a more progressive manner. Through ‘Evolver’ - his July-released fourth artist album, he’s sought to remove the producer/audience fourth wall down to its last brick. 



    “To me bringing the audience into the music making equation makes a great deal of sense. Short of having the ability to make music in the first place, harnessed right, it can be the artist’s greatest asset. No one is going to give you clearer notes, better pointers or more honest feedback on your music than an audience member, working synchronously with a thousand others. And obviously, at the same time, they’re the ones you have to get it right for!” 



    This reciprocal reaction is something that Giuseppe’s been exploring for as long as his self-built G.O. Live 2.0 in-club set-up has allowed. ‘Evolver’ however is his massively expanded effort to successfully turn that dynamic into a fully realised 17-track album. (Or 18, counting its included full-length album rendition mix). So, broad strokes, here’s how ‘Evolver’s evolution works…

    The essence of each one of the album’s cuts was - in one way or another - born out of Ottaviani keyboard or hardware jamming at a show. “As a DJ reads the floor, if a musician’s melody strikes a chord, you can see it right away”, he says. Then, in real time, they can develop it – getting instantaneous feedback on their on-the-fly modulations. If it’s hitting, you bring it back and develop it at the next show, and the next and the next, until your confidence in it is absolute. Then it goes into the studio, you turn on the cameras and stream live as you roll that fabric out into a fully formed track”.

    “My theory behind this method is relatively straightforward, states Giuseppe. Any piece of music that’s been rigorously clubber-tested, each step of the way it going to have extra benefits. When it’s released, he says, it’ll have greater quality due to the way its been developed and there’ll already be degrees of awareness for it. Further, in the fullness of time, it will have deeper resonance with the audience, as they become conscious of their part of it”. This is something apparently born out by ‘Panama’, ‘Tranceland’, ‘8K and – most recently – ‘Colours’, ‘Evolver’s extraordinary trailblaze of Spotify-spiking and Beatport chart topping album vanguards.


    Part desire/part ‘Evolver’s M.O., the album sees a swing back to Giuseppe’s instrumental origins, with maximum concentration placed on the power of the studio’s boxes. With no vocals to assist in the emotive support, it all comes down to his ability to summon the magic from within. Some of the cores of its tracks originated from individual shows - numbers like ‘Belasco’, ‘Soundbar’ and ‘Panama’. Others - ‘Another Day In L.A.’ and ‘Ciudad De México’ among them were developed over successive nights in specific parts of the world.
Make no mistake, this longplayer isn’t about dazzling you with studio science. It’s about a longstanding ambition to bring what happens in the production suite to a live, shared environment, whilst making the audience complicit in its mission for trance fission. 



    Giuseppe Ottaviani’s ‘Evolver’ - in ways small and large, electronic album making will never be quite the same again.
    Last edited by MasterTuxx; 07-02-2019 at 22:19 PM.
    :: My 10 Current Favorites (as of 20.09.2019) ::

    Allende - Simpler Times
    Grum - Stay
    JES - Imagination (Will Atkinson Remix)
    Magnus & Costa Pantazis - The Proposal
    Nitrous Oxide & Paul Miller - Stay
    The Noble Six - Ocean Planet
    Orkidea - Metta
    Richard Durand & Christina Novelli - Save You*
    Solarstone & Lostly - Landmark
    Yotto - Shifter


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    Nice track times! I love 4 minute edits so hard!...

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    Is it a mixed album? If not,then having the single tracks at that radio edit length is a real disappointment.

    GO is the complete DJ & Producer atm - no one else is making such high quality productions and also doing incredible live DJ sets with effects etc.

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    This is the highlight of the album for me. Such a nice tune.
    Ciudad De Mexico
    starts at 19:24


    PS. most of the tracks of the Album have played on this set.
    Current Top 5!!!!
    1. John Askew & Activa - Introducing
    2. Johan Gielen & Peetu S - Manawatu
    3. John O'Callaghan - Hammers At Dawn
    4. Sneijder & Nick Callaghan - Marching Orders (Will Rees Remix)
    5. Beatman & Ludmilla – Sivam

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    TranceForLife's Avatar
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    Just preordered. One of the best trance album in the last years

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    Quite impressed with what i've heard from the mixed version of the album. My top picks are the plucky tunes - Time Shift, Belasco & Raven.

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