Just talking about Uplifting specifically @Propeller, not necessarily the whole scene. Uplifting seemed to suffer the worst from stagnation and production quality. And I’m not convinced there is loads of amazing Uplifting out there either, and that we are just missing it here. Where is it all?
I cant help but think the producers think the explosive melody in the middle is the ONLY identity and soul of the track, the primary thing to master and then build the standard requirements around it just because it needs to be done.