And then it returns to the absolutely-nothing-happening-part.
Modern electronic has a huge problem with this safety first mindset I think. Prog-House (huge issue), House, Trance and large portions of Techno. I'd say probably DnB and Downtempo music too. Its almost as if doing something hugely expressive or bold is too risky. Producers barely want to make tracks that deviate from the genre script they set out to achieve, and labels will probably reject the ones that do anyway, that don't fit safely within the brand. All tracks must be neatly structured with the same safe rhythms and percussion, so that it all can be mixed into the next identical safe sounding tack without too much fuss or effort, and it allows the club promoters who are booking the DJ's to feel extra safe knowing that the set will deliver exactly what's on the tin, safely satisfying as many people as possible.
I sound like another moaner I realise, but at one point we had acts like Underworld, Orbital, Prodigy, Shpongle, FSOL, Aphex Twin and they were some of biggest influencers out there, on all the radios and hugely respected. Way out West might be the perfect example of music that turned from hugely expressive and mixed genre to completely safe house music that just blends nicely with the rest. I think if they were to make an Ajare today it would never see the light of day, as where exactly would we put it?