Whilst I don't have a preview of the original here as of yet, a preview of the Enigma State Remix of 'Voices' has just went live on Nath's Youtube channel and will be released 27/02/22 via Premier League Recordings.
Thanks mate.Whilst I don't have a preview of the original here as of yet, a preview of the Enigma State Remix of 'Voices' has just went live on Nath's Youtube channel and will be released 27/02/22 via Premier League Recordings.
Yep, I already did mention that on your pageSome will point out it has an En-Motion feel about it which it does
Nice that you support this oldschool sounding trancePleasure to release this on Premier League Recordings!
Original sounds a bit more modern, but Andrew Senior is around for a while in the scene as well, just building back up his new alias (was Andy S. before).
He has an amazing Trance Breaks Remix coming next week as well.
A very different feel tracks from both In My Fantasy and Enigmatic, but really does keep true to the classic period. This one has a more 2003/4 feel to it, but was a great opportunity to show what u can do with a modern sounding Trancer and how to make it sound 'not modern'.Look forward to hearing more!
I think that white noise is the video upload. I'm not great on the video editing side, im literally mocking these up using InShot on my phone which is a Galaxy S9. The track doesn't have as much white noise as what seems to resonate on the video.Sounds more close to rapid eye than anything. A bit nervous about the white noise levels here but apart from that it sounds like it "should"
Synths take the forfront and the kicks rests in the back - good.
yup, nice pointHot take: Driftmoon is one of the better modern trance producers and generally has excellent mastering. His mastering skills are an asset even if this is supposed to be an old-school track.
You don't want to replicate the past, but instead enhance it using modern production techniques. Surely the past 20 years have seen breakthroughs in sound mastering/audio engineering that just were not available to the trance producers of then (and no, I'm not talking about putting white noise everywhere or making things as loud as possible).
Everything in this post is just wrong.Hot take: Driftmoon is one of the better modern trance producers and generally has excellent mastering. His mastering skills are an asset even if this is supposed to be an old-school track.
You don't want to replicate the past, but instead enhance it using modern production techniques. Surely the past 20 years have seen breakthroughs in sound mastering/audio engineering that just were not available to the trance producers of then (and no, I'm not talking about putting white noise everywhere or making things as loud as possible).
You have to trust that Driftmoon will do a good job with this track.Everything in this post is just wrong.