- Jun 17, 2021
- 13 Posts
- 12 Thanked
After the Sailing, finally the Chicane stuff that I can listen on repeat.
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Extended mix.Looks like the video is down. I found it on Soundcloud.
https://soundcloud.com/chicanemusic%2Fthe-sleepless-year
I didn't like his last two releases Freefall and Watching Over Me. The Sleepless Year brings it back quality Chicane!![]()
Take your pick. Tough crowd though it's nice to see some people had the balls to dance a bit though. I like the pophlia mix just wish it was throughout the track and had more energy. I didn't like the evolution mixes they were terribly mastered by Armada.Love this. Per prev comments he’s been going back to his original sound thank F&$k.
I heard this first on Sun:Sets 500 recorded at Mambo.
I encourage everyone to check out the Evolution mixes (not THAT Evolution, Chicanes evolution mixes) of Far From The Maddening Crowds. Really really good versions. I was initially a bit concerned as FFTMC is one of my fav albums of all time and takes me back to a very good place in my life when I bought it on release.
I actually agree with you here on the bass, it’s quite lacking. But… I still love this albumTake your pick. Tough crowd though it's nice to see some people had the balls to dance a bit though. I like the pophlia mix just wish it was throughout the track and had more energy. I didn't like the evolution mixes they were terribly mastered by Armada.
Sometimes we wanna be stuck in the past if the music has that kinda soul..for sure this type of old school formula deserves an old school beatwork to make the track breathe a bit as it goes along various different avenues, the beats use to follow the melody throught out different section/changes in the track but with recent stuff it's almost non existent apart from select few artists / releases.100% agree the comments on the beats. Why are 90% modern tracks like this, It's so frustrating. The beautiful synths, pads and pianos in this track is what should be shining through the forefront but instead its dominated by the beats, which are also too polished and robotic in contrast to the balaeric 'human' music behind them. Make these beats softer/oldschool and you have one of the nicest melodic progressive house tracks of the year.
It's really nice melodically, but the hi-hats seem too loud and sharp at least to my ears. It takes away from a lot of the good things going on. Would love that toned down along with a slightly more prominent bass line.
100% agree the comments on the beats. Why are 90% modern tracks like this, It's so frustrating. The beautiful synths, pads and pianos in this track is what should be shining through the forefront but instead its dominated by the beats, which are also too polished and robotic in contrast to the balaeric 'human' music behind them. Make these beats softer/oldschool and you have one of the nicest melodic progressive house tracks of the year.
This might piss some people off but I feel the same way when listening to Marsh it has a short shelf life. I just wish the percussion were better sounding like how progressive house/trance used to sound like when I listen to Free which has a really nice melody. My ears don't like how the percussion sounds it kinda dampens the groove of the track. When I compare it to say Roger Shah's older tracks they are so well balanced and I could listen to them and truly enjoy how well balanced some of them sound because they have a nice groove. Chicane's older tracks sound so natural and warm too and even Time of Your life sounds lovely or Low sun you can truly appreciate the pads, warmth (that's also missing) tambourine, melody, groove, guitar, piano and it feels more natural, human and it feels that the track itself breathes life into you and you want to get and start dancing and puts a smile in your face and it's so harmonious well balanced. With sleepless year the pads and strings are gorgeous shows that he still can make a nice tune just wish everything else was inline and harmonious all in one like it used to be across the board when it came to music genres and just like his first 2.5 albums.I actually agree with you here on the bass, it’s quite lacking. But… I still love this album
He also usually posts some videos with some behind the scenes details of his productions, maybe we'll get one for this too.