Label-boss Enlusion is back on Forescape with a high-quality slab of techno-influenced dark, serious and driving progressive trance called Night Stalker.
Label-boss Enlusion is back on Forescape with a high-quality slab of techno-influenced dark, serious and driving progressive trance called Night Stalker.
No reason to not post this man, the track knows what it is and I respect that. I'm not the biggest fan of the style but the production is top-notch.
This track gets really going after the break at around 3:10 and then there is another break at 3:45 with a speed garage like bass line. I hope that after the second break it goes on increasing in energy with the acid sounds and the new bass line over the top. It's got potential just need to hear the full version. You've got the intensity of the kick spot on by the way, not too hard like Coredata sometimes uses in his tracks.
I see what you mean. My point is that you've done the hard work in creating a melody that works and fits well with the rest of the track. So, why not let it shine a bit more and make more use of it. Work to the strengths of your track is what I say.Thank you! I'm trying different things now to keep the production process interesting, you will see that in early 2021
Spot on. Too many melodies stop after a drop or soon after. Melodies used to really open up after the drop. What changed?? Melody is the hook that keeps people listening....I see what you mean. My point is that you've done the hard work in creating a melody that works and fits well with the rest of the track. So, why not let it shine a bit more and make more use of it. Work to the strengths of your track is what I say.
One track on Forescape that delights and frustrates me in equal measure is Basil O'Glue's 1999. It says on the release that he's intended it as a tribute to a year which he thought was a good year for melodic trance. He created such a great melody, full of texture and energy, and then he keeps the melodic segment going for about one minute, if that, before going into the outro. My thoughts were, dude, you've done the hard work and created something great now let it shine more, hehe...
Why not mix things up a little and introduce a second melodic segment further along with some extra effects and sounds. Keep things progressing and building up from one melodic segment to the second. That kind of variety really adds value to any track in my eyes. The same for your track. Maybe you and Basil can both release extended versions of your records, hehe...
Depends on producer's personal taste. I don't like to have a more or less the same melody going on for like 4 minutes.Spot on. Too many melodies stop after a drop or soon after. Melodies used to really open up after the drop. What changed?? Melody is the hook that keeps people listening....
Reminds me of JOC's Meridian Bay. Such an interesting buildup and unique melody, yet the climax itself lasted for less than a minute.One track on Forescape that delights and frustrates me in equal measure is Basil O'Glue's 1999. It says on the release that he's intended it as a tribute to a year which he thought was a good year for melodic trance. He created such a great melody, full of texture and energy, and then he keeps the melodic segment going for about one minute, if that, before going into the outro. My thoughts were, dude, you've done the hard work and created something great now let it shine more, hehe...
It's a cool track, well produced, with a good atmosphere and interesting melody. I wish that the melody part went on for longer but that's just my personal taste. Who cares if the others didn't like it, you stick to doing what you like.
Out now! Full preview is up on YouTube. Beatport-only exclusive for 2 weeks. Thanks alot for your support guys, DJs didn't like it but I saw a couple of pre-orders
The dubstep part is not for me Enlusion, but the rest im feelin